Anne Siems

b. 1965, Berlin, Germany
The tattoos are fables, they are mythical signs, they are excerpts from poetry, they are rites of passage. These tattoos are unapologetic and brave, political, even if not in a direct way. They are markers of the world we live in at this time that on so many levels feels right on the edge in many ways, both personal and general.
In my Truth
In my Truth

Anne Siems is known internationally for eloquent, ethereal paintings of figures and animals immersed in early European and American landscapes. Based in part on her childhood spent in the woodlands of Germany, her memory inspires the settings for her narrative paintings. At once ancient and contemporary, fantastic and real, present and post-apocalyptic, her works delve into subconscious realms as if journeys into the unknown. Examining feminine psychology and identity through history, figures of young women are Siems’ primary, recurring focal point. While their faces and hands are fully present, their bodies are cloaked in transparent, intricately woven clothes, rendered nearly invisible by patterns that overlay and obscure. In a personal response to the profound sentiments of recent Feminist movements like #metoo, Siems newest portraits depict women as almost supernatural in form, fashion and color. Untethered and unabashed, their fantastic features boldy rise from backdrops of abstracted, gestural veils.

Anne Siems was born and raised in Berlin and lives and works in Seattle. She attended the University of the South in Tennessee under a Fulbright Scholarship and completed her MFA at the Hochschule der Kunste in Berlin. Her work has been shown in a myriad of exhibitions in galleries and institutions in New York, Berlin, Chicago, Seattle, Portland, Boston, Vancouver, San Francisco and Los Angeles, among other cities. Her work can be found in collections spanning the globe, such has American Airlines, Seattle; The Arkansas Art Center, Little Rock; Boise Art Museum, Boise, ID; Harry Connick, Jr; Hallmark Collection, Kansas City, MO; Kemper Museum for Contemporary Art & Design, Kansas City, MO; Lucy Liu; Microsoft, Redmond WA; Nestle USA, Glendale, CA; Nordstrom Corporation Stores, Seattle; and Tacoma Art Museum, Tacoma, among others.

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In my Truth
In my Truth
Temple of Me
Temple of Me
As absence
As absence
Miserable Magnificent
Miserable Magnificent
Shouldering
Shouldering
Heresy
Heresy
Two Elements
Two Elements
Devotion
Devotion
Lagoon
Lagoon
Possee II
Possee II
You Don't Have to be Good
You Don't Have to be Good
Howl
Howl
A Serious Thing
A Serious Thing
Queen
Queen
Dragon Kite
Dragon Kite
Ray's Boxing
Ray's Boxing
In my Truth
In my Truth
acrylic on panel, 36x36
2020
Temple of Me
Temple of Me
watercolor and graphite on paper, 64x55
2022
As absence
As absence
Miserable Magnificent
Miserable Magnificent
gouache and graphite on paper, 62x55
2022
Shouldering
Shouldering
acrylic on wood panel, 36x36
2023
Heresy
Heresy
acrylic on wood panel, 60x40
2023
Two Elements
Two Elements
acrylic on wood panel, 40x40
2023
Devotion
Devotion
acrylic on wood panel, 48x48
2023
Lagoon
Lagoon
acrylic on panel, 60x84
2024
Possee II
Possee II
mixed media on paper, 30x22
2025
You Don't Have to be Good
You Don't Have to be Good
mixed media on paper, 30x22
2025
Howl
Howl
mixed media on paper, 30x22
2025
A Serious Thing
A Serious Thing
mixed media on paper, 30x22
2025
Queen
Queen
mixed media on paper, 30x22
2025
Dragon Kite
Dragon Kite
acrylic on panel, 48x36
2025
Ray's Boxing
Ray's Boxing
acrylic on panel, 40x30
2025

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