bio
education
1973 MFA, University of Georgia, Athens, GA
1971 BA, Rhodes College, Memphis
solo exhibitions
2007 Outside/In, Fischbach Gallery, New York
2005 Recent Work, David Lusk Gallery, Memphis
Two Person Show, Fischbach Gallery, New York
2002 Third Time is Charm, David Lusk Gallery, Memphis
2001 Two Places: Recent Paintings, Drawings and Monoprints, Cheryl Pelavin Fine Art, New York
1999 Ledbetter Lusk Gallery, Memphis
Davis & Hall Gallery, Hudson, NY
Chickasaw Gardens: Recent Paintings & Monotypes, Cheryl Pelavin Fine Art, New York
1996 Lisa Kurts Gallery, Memphis
1995 Mosko Miller Fine Art, New York
1994 Kurts Bingham Gallery, Memphis
1991 Schmidt Bingham Gallery, New York
1990 Alice Bingham Gallery, Memphis
1989 John Davis Gallery, New York
1988 Roswell Museum of Art, Roswell, NM
1986 Ruth Seigel Contemporary Art, New York
1984 John Davis Gallery, New York
Ruth Seigel Contemporary Art, New York
1983 John Davis Gallery, New York
1979 Rhodes College, Memphis
1974 Cleveland Gallery, Boston
group exhibitions
2005 Got Fish, Fischbach Gallery, New York
2004 Group Show Summer 2004, John Davis Gallery, New York
Work selected for participation in the US Art in the Embassies Program, on loan to the US Embassy in Damascus, Syria
2000 Art Auction 2000, Montgomery Museum of Fine Arts, Montgomery, AL
1998 Spring Group Show, Cheryl Pelavin Fine Art, New York
Looking Back: Rhodes College Faculty and Alumni, Clough Hanson Gallery, Rhodes
College, Memphis
Souvenir de Normandy, Forbes Gallery, New York
Davis & Hall, Hudson, NY
1997 Interpretations of the Colorado Landscape, Forbes Gallery, New York
bibliography
New York Sun, Summer Groups, The Fischbach Gallery, July 11, 2006
Art in America, Edward Gomez, Daisy Craddock at Fischbach Gallery/NYC (review) January 2006
American Artist, Stephen Doherty, On Tour in Normandy, April 1998, pg. 27, "Daisy Craddock, Oil Pastels on Location," pg. 46
Stephen Doherty, Interpretations of the Colorado Landscape, January 1997, pp. 33-48
Margaret Matthew's, Landscape Painting at Night, February 1984, pp. 66-71
Art & Antiques, Edward M. Gomez, Where Pluralism Rules, December 1999, pg. 67
Art In America, Stephen Westfall, Daisy Craddock at Seigel Contemporary, September 1984, p. 215
Art News, Michael Brandow, Sweet Charity, May 1992, p. 19
Henry Gerrit, Night Landscapes, Schreiber/Cutler, January 1987, p. 179
Arts Magazine, Ellen Lee Klein, Square and.. February 1987, pp. 108-09
Ellen Lee Klein, Review, March 1985, p. 39
Catalog, Robert A. Yassin, A Gift of Vision: The William A. & Susan S. Small Collection, Tucson Museum of Art, Tucson, 1996
collections
Anderson Museum of American Art, Roswell, NM
Arthur Andersen & Co., Chicago
Baer Marks & Upham, New York
Bank of Nagoya, New York
BP American, Cleveland
Cahill Gordon & Reindel, New York
Chemical Bank, New York
Financial Federal, Memphis
First Tennessee Bank, Memphis
Forbes, Inc., New York
JP Morgan, Los Angeles
Memphis Brooks Museum of Art, Memphis
Memphis Country Club, Memphis
Metropolitan Life, New York
Milwaukee Art Museum, Milwaukee
Morgan Stanley, New York
Newark Museum, Newark, NJ
New York Hilton, New York
Nomura Corporation, New York
Pfizer Corporation, New York
Polygram Corporation, Los Angeles
Promus Hotel Corporation Headquarters, Memphis
Rhodes College, Memphis
Roswell Museum, Roswell, NM
Salomon Brothers, New York
Software Banking Corporation, Miami
Southeast Banking Corporation, Miami
SouthTrust Bank, Memphis
Toho Sakusen Company, Tokyo, Japan
Tucson Museum of Art, Tucson
Tudor Investment Co., New York
United Virginia Bank, Richmond, VA
Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
